Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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An ethereal illustration by Edmund Dulac from the 1907 collection Fairies I Have Met, featuring delicate figures in a dreamlike setting.
This illustration originates from the 1907 publication of Fairies I Have Met by Mrs. Rodolph Stawell. Edmund Dulac, a prominent figure in the early twentieth-century British publishing scene, produced these images during a period when gift books with tipped-in colour plates were highly popular. His approach to the subject matter relies on a delicate balance of soft, atmospheric washes and precise ink work, which defines the ethereal quality of the scene.
The composition features two figures with translucent, insect-like wings, positioned within a space that suggests a dreamlike or otherworldly environment. The figure on the left wears a flowing, pale blue garment that merges with the petal-like forms surrounding her. The second figure, dressed in warmer tones of pink and brown, appears to interact with the first in a moment of quiet exchange. Dulac employs a muted palette, favouring earthy browns, soft blues, and dusty pinks to maintain a sense of mystery. The background is dark and indistinct, which pushes the figures forward and creates a sense of depth without relying on traditional perspective.
Dulac was known for his ability to adapt his style to the specific requirements of the text, often drawing inspiration from Persian miniatures and Japanese prints. In this work, the influence of these traditions is visible in the flattened spatial arrangement and the focus on decorative line work. The figures possess a grace typical of Dulac's output, avoiding overly sentimental depictions in favour of a more stylised, refined aesthetic. This print captures the specific charm of Edwardian fantasy literature, where the visual accompaniment was as essential to the reader's experience as the prose itself. The work remains a representative example of the technical skill applied to book illustration during this era.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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