A detailed seventeenth-century engraving by Crispijn van de Passe (II), capturing the formal portrait of Pieter Brode with technical precision.

This engraving by the Dutch artist Crispijn van de Passe (II) depicts Pieter Brode, a figure of local administrative importance. The work is executed with the technical precision characteristic of the van de Passe family, who operated a prolific print workshop in the Netherlands during the seventeenth century. The portrait is framed within an oval border, a common convention for formal portraiture of the period, which directs the viewer's attention to the sitter's facial features and expression.

Brode is shown wearing a ruff, a garment that indicates his social standing and the fashion of the early seventeenth century. The artist employs varied hatching and cross-hatching techniques to render the texture of the fabric and the subtle contours of the face. Below the portrait, a coat of arms is integrated into the composition, providing a heraldic element that complements the sitter's status. The Latin inscription at the base identifies Brode and his professional roles, serving as a formal record of his identity.

Crispijn van de Passe (II) was part of a dynasty of engravers and publishers. His work often involved the reproduction of portraits for books and independent circulation. This print demonstrates the high level of craftsmanship required for copperplate engraving, where every line must be carefully calculated to create depth and shadow. The monochromatic nature of the medium allows for a focus on the structural elements of the portrait, from the fine details of the ruff to the shading of the sitter's doublet. This piece offers a glimpse into the visual culture of the Dutch Golden Age, where portraiture functioned as a means of documenting individuals of civic and professional note.