A formal nineteenth-century lithographic portrait of Johannes Hubertus van den Broek by Dutch artist Antonie Johannes Groeneveldt.

This lithographic portrait depicts Johannes Hubertus van den Broek, a figure of the mid-nineteenth century, captured with the precise technical skill characteristic of the period. Antonie Johannes Groeneveldt, a Dutch artist active during this era, utilised the medium of lithography to achieve a soft, tonal quality that mimics the appearance of a pencil or charcoal drawing. The sitter is shown in a formal military or official uniform, complete with epaulettes and a decorative medal, suggesting his status and professional role within the Dutch administration or military hierarchy.

The composition is restrained, focusing on the subject who sits in a simple chair, his gaze directed towards the viewer. The artist employs delicate cross-hatching and stippling to define the contours of the face and the texture of the uniform fabric. The background remains largely unadorned, which directs attention to the sitter's features and the signature below the image. This type of portrait was common in the nineteenth century, often produced as a commemorative print or for inclusion in biographical collections. The inclusion of the sitter's signature at the base of the print adds a personal dimension to the work, grounding the image in a specific historical identity.

Groeneveldt demonstrates a mastery of light and shadow, using the white of the paper to create highlights on the uniform buttons and the sitter's face. The work reflects the conventions of nineteenth-century portraiture, where the emphasis was placed on clarity, formal attire, and a dignified presentation of the individual. This print offers a glimpse into the visual culture of the Netherlands during the mid-1800s, documenting the appearance and attire of a contemporary figure through the accessible and popular medium of the lithograph.