A seventeenth-century engraving by Johann Pfann, depicting the clergyman Johann Ferber in formal clerical attire.

This engraving by Johann Pfann depicts Johann Ferber, a figure of ecclesiastical authority in seventeenth-century Nuremberg. The composition follows the conventions of the period, presenting the subject within an oval frame inscribed with Latin text. This framing device provides biographical details, including Ferber's age and his tenure as a minister. The subject wears the traditional clerical attire of the era, characterised by a prominent ruff collar and a dark, textured robe. His hands are positioned centrally, holding a small book, which serves as a visual indicator of his scholarly and religious vocation.

Pfann employs precise line work to define the contours of the face and the folds of the clothing. The shading is achieved through a system of cross-hatching, which creates a sense of volume and depth within the oval. Below the portrait, a block of Latin text provides a summary of Ferber's career, documenting his positions in various locations such as Herolzberg, Furth, and eventually the church of St. Sebald in Nuremberg. This inclusion of text is typical of commemorative portraiture from the period, where the image functions as both a likeness and a historical record of the individual's life and service.

The print reflects the technical proficiency of German engravers during the Baroque era, who often balanced formal portraiture with detailed typographic elements. The overall aesthetic is one of sobriety and order, consistent with the clerical status of the sitter. The paper shows the natural ageing expected of a seventeenth-century print, maintaining the integrity of the original plate marks and the clarity of the engraved lines. This work offers a glimpse into the visual culture of the Reformation-era church, where such portraits were frequently produced to honour local clergy and document their professional trajectories within the ecclesiastical hierarchy.