A detailed 1610 engraving by Hendrick Hondius (I) depicting the Netherlandish painter Joachim Patinir, featuring precise cross-hatching and a Latin inscription.

This engraving by Hendrick Hondius (I) depicts the Netherlandish painter Joachim Patinir. Hondius, a prominent printmaker and publisher based in The Hague, produced this work as part of a series documenting the lives and appearances of notable artists. The portrait captures Patinir in a three-quarter view, wearing a soft cap and a draped mantle over his tunic. His expression is contemplative, with his gaze directed slightly away from the viewer. The artist's hand is positioned near the centre of the composition, adding a sense of naturalism to the pose.

The print demonstrates the technical precision characteristic of Hondius. The use of cross-hatching and varied line weights creates volume in the drapery and depth in the facial features. Behind the figure, architectural elements suggest a classical setting, providing a structured backdrop that does not distract from the subject. Below the portrait, a Latin inscription provides biographical context, identifying the sitter as 'Ioachimo Dionatensi Pictori' (Joachim of Dinant, painter).

Joachim Patinir is recognised for his contribution to the development of landscape painting in the early sixteenth century. By including this portrait in his series, Hondius acknowledges the historical importance of Patinir within the Northern European tradition. The print serves as a visual record of the artist, preserved through the medium of engraving. The clarity of the lines and the balanced composition reflect the standards of early seventeenth-century Dutch printmaking, where portraiture was used to celebrate the intellectual and creative contributions of historical figures. This print is a fine example of the intersection between artistic documentation and the craft of the burin, offering a window into the appearance of a painter who helped define the visual language of the Northern Renaissance.