A refined seventeenth-century portrait etching of Cornelis van Beveren by the Dutch master Jonas Suyderhoef.

This portrait by Jonas Suyderhoef depicts Cornelis van Beveren, a figure of standing in the Dutch Republic. Suyderhoef, a master of the burin, was known for his technical precision in translating the painterly qualities of his contemporaries into the medium of print. This work demonstrates his ability to render texture and light through a systematic application of line.

The subject is presented within an oval frame, a common convention for seventeenth-century portraiture that directs the viewer's attention to the sitter's features. Van Beveren is shown in a three-quarter view, wearing a dark doublet with decorative embroidery and a plain white collar. The artist employs varied hatching techniques to suggest the weight of the fabric and the subtle contours of the face. The background within the oval is shaded with horizontal lines, providing a neutral field that allows the figure to emerge with clarity.

Below the oval, a rectangular cartouche contains an inscription identifying the sitter and his role. The lettering is integrated into the composition, maintaining the formal balance of the print. Suyderhoef often worked after paintings by artists such as Frans Hals, and this print reflects the disciplined approach to portraiture that defined the Dutch Golden Age. The focus remains on the individual's character, conveyed through a steady gaze and the careful observation of physiognomy. The print serves as a record of the sitter's appearance and status, executed with the technical rigour characteristic of the Haarlem school of printmakers. The contrast between the dark garments and the lighter skin tones is managed through a sophisticated layering of lines, a hallmark of Suyderhoef's practice.