A formal 1819 engraving by Ambroise Tardieu depicting Charles-Louis Clément, a French deputy, presented in a classic oval composition.

This engraving by the French cartographer and engraver Ambroise Tardieu depicts Charles-Louis Clément, a figure of political note in early nineteenth-century France. The work captures the subject in a formal bust-length pose, framed within a simple oval. The composition adheres to the conventions of period portraiture, focusing on the sitter's features and attire with precision. The engraving technique allows for subtle gradations of tone, particularly in the rendering of the coat and the soft modelling of the face.

Charles-Louis Clément is identified beneath the portrait as a deputy for the Doubs department, elected in 1819. This specific detail anchors the work in the post-Napoleonic political climate of the Bourbon Restoration. Tardieu, known for his extensive work in cartography and scientific illustration, applied a similar rigour to his portraiture. The clarity of the line work and the balanced composition reflect the aesthetic preferences of the era, which favoured order and legibility. The inclusion of the subject's title and election date provides a documentary quality to the print, common in the production of political portraiture intended for wider circulation among the educated public.

As a fine art print, this piece offers a glimpse into the visual culture of the early 1800s. The restraint in the presentation, combined with the technical proficiency of the engraving, makes it a representative example of French printmaking from the period. The work is clean, focused, and maintains a formal dignity appropriate for a public official of the time. It is a suitable addition for those interested in historical portraiture or the development of nineteenth-century graphic arts.