A detailed 16th-century engraving by Johann Theodor de Bry, depicting the humanist scholar Carolus Utenhove within an architectural frame.

This engraving by Johann Theodor de Bry depicts Carolus Utenhove, a humanist scholar of the late sixteenth century. The composition follows the conventions of period portraiture, placing the subject behind a ledge, which creates a sense of physical presence. Utenhove is shown in three-quarter view, wearing a doublet and a ruff, his hand resting upon a book. This inclusion of a book serves as a visual indicator of his intellectual pursuits and scholarly status.

The framing of the portrait is architectural, featuring columns on either side that support an arched top. This arch contains the subject's name in Latin, while the spandrels are filled with decorative floral motifs. Below the ledge, a Latin inscription provides further context, noting the birth year of the subject as 1536. The engraving technique demonstrates the precision characteristic of the De Bry family, who were active as publishers and printmakers in Frankfurt. The use of hatching and cross-hatching defines the volume of the clothing and the texture of the beard, while the facial features are rendered with careful attention to individual character.

Johann Theodor de Bry, the son of the engraver Theodor de Bry, continued the family tradition of producing high-quality prints that circulated throughout Europe. Such portraits were often included in collections of famous men, a popular genre among the educated classes of the Renaissance. The print reflects the technical standards of the period, where the clarity of line and the balance of the composition were primary concerns for the engraver. This work offers a glimpse into the visual culture of the late sixteenth century, documenting both the appearance of a specific individual and the stylistic preferences of the era.