A 1751 engraving by Pieter Tanjé after Gerard Sanders, featuring portraits of Elias van Nymegen, Gerard Sanders, and Dionys van Nymegen.

This engraving, dated 1751, presents three distinct portrait busts arranged upon a draped cloth background. The work features Elias van Nymegen, the artist Gerard Sanders himself, and Dionys van Nymegen. The composition is typical of eighteenth-century Dutch printmaking, where subjects were often grouped to document the likenesses of contemporary artists or notable figures within a specific circle. The print was executed by Pieter Tanjé after a drawing by Gerard Sanders, as indicated by the inscriptions at the base of the sheet.

The technique employs fine hatching and cross-hatching to define the facial features, the texture of the periwigs, and the folds of the garments. Each figure is rendered with a focus on individual characterisation, capturing the specific gaze and expression of the sitters. The use of a draped, scroll-like backdrop provides a sense of depth and formal structure to the arrangement, separating the subjects from the surrounding space. This style of portraiture was common in biographical publications of the period, where such plates served to accompany written accounts of the artists' lives and careers.

Gerard Sanders was a Dutch painter and draughtsman active during the mid-eighteenth century. His collaboration with the engraver Pieter Tanjé demonstrates the professional networks that existed between artists and printmakers in the Netherlands at the time. The clarity of the line work and the balanced composition reflect the technical precision expected of high-quality reproductive prints from this era. This piece offers a glimpse into the social and professional connections of the Dutch art world in the mid-1700s, preserving the appearances of these individuals through the medium of copperplate engraving.