An eighteenth-century engraving depicting Tinai-Mai of Raiatea, rendered with fine cross-hatching and classical portraiture techniques.

This engraving depicts Tinai-Mai, a resident of the island of Raiatea, known historically as Ulietea. The work originates from the period of European maritime exploration in the Pacific, when accounts of voyages were frequently accompanied by illustrative plates. These images were intended to document the appearance and customs of indigenous peoples encountered by explorers.

The subject is rendered in a style typical of eighteenth-century European printmaking. The artist employs fine, parallel lines and cross-hatching to create volume and shadow, particularly within the folds of the garment and the texture of the hair. The figure is shown in a three-quarter view, looking directly toward the viewer. A simple headband adorns her hair, and she is draped in a cloth that covers her shoulders. The background remains minimal, suggesting a soft, atmospheric sky, which keeps the focus entirely on the portrait.

Such prints were often produced for travelogues or ethnographic collections. They reflect the aesthetic conventions of the era, which frequently applied European artistic standards to non-European subjects. The text at the base, 'TINAI-MAI, EEN MEISJEN VAN ULIETEA', identifies the subject and her origin in Dutch. The inclusion of 'Pl. XLIX' at the top indicates that this print was part of a larger series or publication. The technical precision of the engraving demonstrates the skill of the printmaker in translating observational sketches into a reproducible format for a wider audience. This piece offers a glimpse into the historical documentation of Pacific cultures during the late eighteenth century, capturing a specific moment of cross-cultural encounter through the medium of black-and-white print.