Painted in 1921, Otto Dix's 'Portrait of the Lawyer Dr. Fritz Glaser' exemplifies the New Objectivity movement with its unflinching realism and sombre mood. The portrait captures the sitter's personality against an angular architectural backdrop.

Otto Dix, a prominent German artist associated with both Dada and New Objectivity, painted this portrait of Dr. Fritz Glaser in 1921. Glaser was a lawyer and art collector who defended Dix in a number of legal cases involving censorship and obscenity charges against his work. This painting reflects the stylistic characteristics of the New Objectivity movement, which emerged in Germany during the 1920s as a reaction against Expressionism. The movement favoured a return to realism and a detached, objective approach to representation. The portrait presents Glaser in a seated pose, his hands clasped in front of him. Dix's style is characterised by its unflinching realism and attention to detail. The colour palette is subdued, dominated by dark tones that create a sombre mood. The background features an angular, almost Cubist-inspired architectural structure, adding to the sense of unease and modernity. Dix's portraits often possess a psychological intensity, capturing the sitter's personality and inner state. This work is a striking example of Dix's ability to combine realism with a critical and often unsettling perspective on society.