Portrait of the Future Countess Henri de Boisgelin - Leon Bakst

A 1922 portrait by Leon Bakst, depicting the future Countess Henri de Boisgelin in a dramatic, atmospheric setting.

Leon Bakst, primarily recognised for his revolutionary costume and set designs for the Ballets Russes, produced this portrait in 1922. The subject is the future Countess Henri de Boisgelin, depicted with the characteristic theatricality Bakst brought to his easel work. The composition places the figure against a dark, atmospheric backdrop, which suggests an outdoor setting at dusk. The warm, amber tones of the sky contrast with the deep shadows of the trees, creating a sense of mystery.

The sitter wears a striking ensemble featuring a dark garment paired with a voluminous white scarf or wrap. This choice of clothing provides a strong visual contrast, drawing the eye to the centre of the frame. Her posture is relaxed, yet she holds a cane, a detail that adds a specific narrative element to the portrait. Bakst employs a controlled application of paint, focusing on the interplay of light on the fabric and the sitter's features.

Unlike his more decorative stage designs, this portrait demonstrates Bakst's ability to capture individual character within a formalised structure. The work reflects the aesthetic sensibilities of the early 1920s, blending traditional portraiture with the dramatic flair of the theatre. The brushwork remains precise, allowing for a clear definition of the figure against the more loosely rendered environment. This piece offers a glimpse into the social circles Bakst inhabited during his later years in Paris, where he remained a sought-after artist for the elite. The portrait remains a clear example of his technical skill and his capacity to translate the drama of the stage into the intimacy of a private commission.