A direct and expressive portrait by Lovis Corinth, capturing his father with loose, gestural brushwork and a muted, sophisticated palette.

Painted in May 1888, this portrait captures the artist's father with a direct, unvarnished gaze. Lovis Corinth, a central figure in the transition from academic realism to German Impressionism, employs a loose, gestural brushwork that prioritises the immediacy of the subject over polished finish. The sitter is positioned in profile, turning his head to engage the viewer directly. His expression is one of quiet intensity, rendered with subtle shifts in tone that define the structure of his face.

The background remains largely unresolved, consisting of rapid, directional strokes that suggest a studio environment without providing specific detail. This technique draws attention to the figure, whose form is built through layers of muted browns, greys, and whites. The jacket is painted with broad, confident marks, reflecting Corinth's interest in the physical application of paint. A distinct patch of red on the sitter's lapel provides a singular point of chromatic contrast, drawing the eye toward the hand resting on his knee.

Corinth's approach here demonstrates his early mastery of light and shadow, a skill he refined during his studies in Munich and Paris. The work avoids the sentimentality often found in nineteenth-century portraiture, opting instead for a psychological honesty. The signature and date are inscribed directly onto the canvas, integrated into the textured background. This piece offers a glimpse into the artist's early development, showing his departure from the rigid constraints of his training toward a more personal, expressive style. The composition is balanced yet dynamic, relying on the tension between the sitter's static pose and the energetic, visible brushwork that defines the surrounding space.