A 1915 Cubist portrait by Diego Rivera, depicting the Spanish writer Ramon Gomez de la Serna through fragmented geometric forms and symbolic objects.

Painted in 1915, this work captures the Spanish writer Ramon Gomez de la Serna during Diego Rivera's period of intense engagement with European avant-garde movements. Rivera, living in Paris at the time, adopted the visual language of Cubism to deconstruct his subject. The composition presents the writer in a fragmented manner, typical of the analytical and synthetic approaches common to the era. The face is split into distinct geometric planes, suggesting multiple perspectives simultaneously. Rivera incorporates specific references to the sitter's identity and literary output. A book titled El Rastro, authored by Gomez de la Serna, appears in the lower right corner, providing a clear link to the subject's career. The inclusion of a pipe and writing implements reinforces the theme of the intellectual at work. The palette relies on deep blues, ochres, and muted greens, punctuated by the sharp red of the book cover and the subject's tie. In the background, a secondary, more ghostly face emerges, adding a layer of psychological complexity to the portrait. This technique reflects the influence of the Parisian art scene, where artists experimented with the dissolution of form and the integration of text within the pictorial space. The work demonstrates Rivera's technical proficiency with the geometric rigour of Cubism before his eventual return to Mexico, where his style shifted toward the large-scale muralism for which he is widely recognised. This portrait remains a clear example of his early experimentation with form, light, and the representation of the modern intellectual.