A fine mezzotint portrait of the painter Pieter van der Meulen, executed by Isaac Beckett after a painting by Nicolas de Largillière.

This mezzotint by Isaac Beckett depicts the painter Pieter van der Meulen. The work is based on an original painting by Nicolas de Largillière. Beckett was a pioneer of the mezzotint technique in England, and this print demonstrates his ability to render soft tonal transitions and light effects through the roughened copper plate. The subject is presented within an oval frame, a common convention for portraiture of the late seventeenth century. His gaze is directed away from the viewer, suggesting a contemplative mood. The elaborate, flowing wig and the draped fabric of his clothing are rendered with attention to texture, characteristic of the period's interest in material detail.

Mezzotint allowed for a range of greys and blacks that other engraving methods could not achieve. Beckett uses this to create a sense of volume in the sitter's face and the folds of his garment. The inscription at the base identifies the subject as 'Petrus Vander Meulen Pictor', confirming his profession as a painter. The print serves as a record of the artist's appearance during his time in England. The collaboration between the painter Largillière, the publisher Isaac Smith, and the printmaker Beckett reflects the commercial networks of the London print trade during the late Stuart era. This piece is a fine example of the technical skill required to translate oil painting into the monochromatic medium of printmaking.