Portrait of Philippina Staunton, Wife of Roelof van Arkel - Caspar Netscher
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A portrait by Caspar Netscher of Philippina Staunton, wife of Roelof van Arkel. The full-length portrait captures her standing in a shimmering satin dress, showcasing Netscher's attention to detail and elegant style.
This is a portrait of Philippina Staunton, wife of Roelof van Arkel, painted by Caspar Netscher. Netscher, a Dutch painter born in Heidelberg, was known for his portraits and genre scenes. He spent time in the studios of Hendrick Coster and Gerard ter Borch, absorbing influences from both. His style is characterised by its elegance and attention to detail, particularly in the rendering of fabrics and textures. In this full-length portrait, Philippina Staunton is depicted standing in front of a classical architectural backdrop and a cloudy sky. She wears a shimmering, light-coloured satin dress with puffed sleeves and a low neckline, accented by a pale blue sash. Her hair is styled in loose curls, and she wears a pearl necklace and earrings. The composition is carefully balanced, with the figure positioned to draw the viewer's eye to her face and the details of her attire. The overall effect is one of refined elegance and aristocratic poise, typical of Netscher's portraiture.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Portrait of Philippina Staunton, Wife of Roelof van Arkel - Caspar Netscher
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Caspar Netscher
He was born around 1639, probably in Heidelberg or Prague. His father, a sculptor from Stuttgart, died when Caspar was two. During the siege of Heidelberg his mother fled with four children; two older brothers died of hunger. He was placed with the painter Hendrick Coster in Arnhem, then became a student of Gerard ter Borch in Deventer. Ter Borch was the most important influence on his work; Netscher appears as a model in several of Ter Borch's paintings.
His portraits and genre scenes of The Hague's fashionable society were painted with a precision that earned comparisons to Vermeer. He rendered fabrics, lace and reflected light with miniaturist exactitude. Cosimo III de' Medici bought his work. He kept drawings of finished paintings as records (ricordi), noting prices, patron names and colour choices.
He was plagued by gout but remained productive, sometimes painting from bed. Two of his sons, Constantyn and Theodorus, became painters in his style. A third, Anthonie, emigrated to Batavia. He died in The Hague in 1684, at about forty-five.
You May Also Like

