Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A nineteenth-century lithographic reproduction of John Singleton Copley's portrait of the Boston silversmith Nathaniel Hurd.
This lithographic reproduction depicts Nathaniel Hurd, a prominent Boston silversmith and engraver, based on the original oil portrait by John Singleton Copley. Copley, a master of colonial American portraiture, captured the likeness of his contemporaries with a focus on material texture and psychological presence. Hurd is shown wearing a soft cap and a simple garment, a departure from the formal attire often seen in Copley's commissioned works. The composition centres on the subject, using subtle shading to define the contours of his face and the folds of his headwear.
This specific print was produced by Pendleton's Lithography in Boston for the New England Magazine. It demonstrates the nineteenth-century practice of disseminating the works of earlier colonial artists to a broader public audience through print media. The lithographic process translates Copley's original brushwork into a series of tonal gradations, maintaining the clarity of the subject's features. The inclusion of the subject's name and the printer's mark at the base provides historical context regarding the print's origin and intended circulation.
As a document of American cultural history, this portrait offers a glimpse into the social circles of pre-Revolutionary Boston. Nathaniel Hurd was a skilled craftsman, and his inclusion in the New England Magazine suggests his status within the intellectual and artistic community of the period. The print retains the character of the original painting while adapting it to the aesthetic preferences of the mid-nineteenth century. It is a fine example of how portraiture functioned as a means of recording the appearance of influential figures, ensuring their image remained accessible long after the original canvas was completed. The muted tones and clear lines make this an appropriate choice for those interested in early American history and the evolution of printmaking techniques.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Our Features
Designed for Lasting Impact
Every Solis piece is made to order with archival, gallery-quality materials built to last.
To keep your artwork looking its best:
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
John Singleton Copley
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