A detailed seventeenth-century engraving by Lucas Kilian depicting Ladislaus, King of Naples, framed within a formal cartouche with heraldic elements.

This engraving by the German artist Lucas Kilian depicts Ladislaus of Naples, a monarch who reigned during the late fourteenth and early fifteenth centuries. Kilian, a member of a prominent family of engravers based in Augsburg, produced this work as part of a series documenting historical rulers. The portrait follows the conventions of seventeenth-century printmaking, presenting the subject within an oval frame that mimics the appearance of a carved stone or metal cartouche.

The composition is formal and balanced. Ladislaus is shown in a bust-length view, wearing a crown and robes that signify his royal status. The surrounding frame includes Latin inscriptions, identifying the subject as 'Ladislaus Superbus', or Ladislaus the Magnificent. Below the portrait, two small putti support a central plaque bearing the phrase 'Victoriae Dicatum', which translates to 'Dedicated to Victory'. Flanking this central element are two heraldic shields, providing further context regarding the lineage and titles associated with the Neapolitan king.

Kilian employs precise line work to define the textures of the crown, the fabric of the royal garments, and the subtle shading of the face. The background within the oval frame is filled with fine, parallel hatching, a technique that creates a sense of depth and focus on the central figure. The print reflects the interest of the period in historical documentation and the dissemination of royal iconography through the medium of engraving. This piece is a clear example of the technical skill required for portraiture in the early Baroque era, where clarity of form and symbolic detail were paramount. The work remains a useful reference for those interested in the history of European portrait prints and the specific stylistic contributions of the Kilian workshop to the visual culture of the seventeenth century.