A 1596 engraving by Dominicus Custos featuring a formal portrait of Johann Wolfgang Freymann, framed by decorative elements and Latin inscriptions.

This engraving by Dominicus Custos, dated 1596, depicts Johann Wolfgang Freymann, a figure of administrative authority in the late sixteenth century. Custos, a Flemish printmaker who settled in Augsburg, was known for his technical precision in portraiture. The composition follows the conventions of the period, placing the subject within an oval frame that serves as a boundary between the sitter and the viewer. The surrounding text provides biographical context, identifying Freymann's titles and status.

The portrait captures the sitter in a three-quarter view, wearing a ruff and a fur-trimmed garment. The artist uses fine, cross-hatched lines to model the facial features and the texture of the clothing. This technique creates a sense of volume and depth, typical of the high-quality printmaking produced in the workshops of Augsburg during this era. The oval frame is decorated with ornamental flourishes, including small cherubic heads at the base, which balance the formal nature of the portrait with decorative elements common to the Mannerist style.

Below the portrait, a cartouche contains Latin text, a standard feature for commemorative prints of the time. The lettering is executed with clarity, maintaining the balance between the visual image and the written word. The work reflects the function of such prints, which were often commissioned to document the appearance and status of officials, scholars, and nobility. By employing a refined engraving technique, Custos ensures that the sitter appears with a sense of gravity and presence. This print is an example of the intersection between portraiture and the dissemination of information through the medium of the printed image in early modern Europe.