A 1605 engraving by Dominicus Custos depicting Jacob Fugger, Bishop of Constance, framed by classical architectural elements and heraldic motifs.

This engraving by Dominicus Custos, dated 1605, depicts Jacob Fugger, the Bishop of Constance. Custos, a Flemish printmaker who established his workshop in Augsburg, was a prolific producer of portrait series and genealogical records. The composition follows the conventions of early seventeenth-century portraiture, placing the subject within a structured architectural frame.

Jacob Fugger is shown in a three-quarter view, wearing clerical attire trimmed with fur. His expression is composed, and he holds a small book, a common attribute for ecclesiastical figures of the period. The portrait is surrounded by an elaborate border featuring classical columns, putti holding torches, and a central coat of arms at the top. The lower section contains a Latin inscription, which provides the identity of the sitter and his titles, alongside a poetic tribute to his lineage and virtues. The use of hatching and cross-hatching creates depth and texture, particularly in the rendering of the fur collar and the shadows within the architectural elements.

Custos was instrumental in the dissemination of portraiture during this era, often working with other artists to document the nobility and clergy of the Holy Roman Empire. This print reflects the technical precision characteristic of his workshop in Augsburg. The inclusion of heraldic symbols and Latin text serves to formalise the status of the subject, aligning with the period's interest in genealogy and institutional authority. The work remains a clear example of the printmaking techniques employed in the early 1600s, where the marriage of portraiture and decorative framing was standard for commemorative publications.