A refined 1917 portrait by Konstantin Somov, featuring the subject D. Karysheva rendered in graphite and subtle watercolour within an oval composition.

This portrait by Konstantin Somov, executed in 1917, captures the subject, D. Karysheva, with the refined precision characteristic of the artist's later graphic work. Somov, a founding member of the Mir Iskusstva (World of Art) group, often looked to the eighteenth century for stylistic inspiration. This influence is visible in the oval format of the composition, which echoes the tradition of miniature portraiture popular in the Rococo period.

The drawing employs a delicate application of graphite, supplemented by subtle washes of colour. Somov focuses on the sitter's facial features, rendering the eyes and mouth with a quiet intensity. The hair is styled in soft, rhythmic waves, framed by a simple headband. A narrow ribbon choker adorns the neck, adding a touch of period-appropriate detail that anchors the image in its historical context. The background remains plain, ensuring that the viewer's attention stays fixed upon the subject's expression.

Somov's technique here demonstrates his mastery of line and form. He avoids heavy shading, preferring instead to build volume through light, controlled strokes. The result is a portrait that feels both intimate and detached, a common quality in his depictions of contemporaries. The work reflects the artist's interest in the intersection of historical aesthetic traditions and the modern psychological portrait. By stripping away extraneous detail, Somov presents a study of character that relies on the clarity of his draughtsmanship. This piece remains a fine example of the artist's ability to balance technical discipline with a sense of quiet observation, typical of his contributions to the Russian Silver Age.