A formal 1915 portrait by Pavel Filonov, depicting a father and son in a composed, domestic setting.

This portrait, painted by Pavel Filonov in 1915, captures a formal domestic scene. The work depicts Arman Frantsevich Aziber seated with his young son positioned between his knees. The father wears a dark suit with striped trousers, while the child is dressed in a sailor-style outfit with a striped collar. The child holds a single pink flower, providing a point of colour against the muted tones of the clothing and the interior setting.

Filonov is primarily known for his later, highly complex Analytical Art style, which often features fragmented, crystalline forms. This earlier portrait demonstrates a more traditional approach to representation, yet it retains a certain rigidity and psychological stillness. The figures are rendered with a focus on clear outlines and a controlled application of paint. The background is a flat, monochromatic wall, which directs the viewer's attention to the subjects. The patterned rug beneath their feet adds a decorative element to the composition, contrasting with the relative simplicity of the figures.

The painting reflects the conventions of early twentieth-century portraiture, where the arrangement of the sitters conveys a sense of social standing and familial connection. The father's hands rest gently on the child's shoulders, creating a physical link between the two. Despite the formal attire and posed nature of the subjects, there is a directness in their gaze that engages the viewer. This piece offers a glimpse into the earlier phase of Filonov's career, before he moved towards the more abstract and dense compositions that defined his later output. It remains a clear example of his technical skill in portraiture and his ability to capture individual character through precise observation.