A refined 1782 oil portrait by Dmitry Levitzky, depicting the Italian opera singer Anna Davia Bernucci with delicate attention to texture and light.

Dmitry Levitzky, a master of the Russian portrait tradition during the eighteenth century, painted this likeness of the Italian opera singer Anna Davia Bernucci in 1782. The work captures the sitter with a characteristic blend of psychological observation and technical precision. Levitzky was known for his ability to render textures, and here he demonstrates this skill through the delicate handling of the lace, the sheen of the silk ribbons, and the soft petals of the roses adorning her hat and hand.

The composition focuses on the subject against a neutral, dark background, which directs attention to her expressive features and the play of light across her skin. Anna Davia Bernucci, who performed in Saint Petersburg, is depicted with a gentle, knowing smile. Her attire reflects the fashion of the period, featuring voluminous sleeves and decorative ribbons that suggest a sense of theatricality appropriate for a performer of her stature. Levitzky avoids excessive ornamentation, choosing instead to balance the sitter's natural presence with the refined details of her costume.

This portrait demonstrates the artist's command of the oil medium, particularly in his use of glazing to achieve depth and luminosity. The brushwork remains controlled, allowing for a smooth finish that was highly valued by his contemporaries in the Russian imperial court. By focusing on the individual character of the sitter rather than mere status, Levitzky provides a clear window into the cultural life of the era. The work remains a fine example of the portraiture style that defined the late eighteenth-century Russian art scene, showing a transition toward a more personal and intimate mode of representation.