Portrait of Angelina Beloff - Diego Rivera
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Description
A 1909 portrait of artist Angelina Beloff by Diego Rivera, capturing a contemplative moment during his formative years in Europe.
Painted in 1909, this portrait depicts the Russian artist Angelina Beloff, who was Diego Rivera's first wife. During this period, Rivera lived in Europe, absorbing various stylistic influences before his return to Mexico. The work reflects a transition from his earlier academic training toward the experimental approaches he encountered in Paris and across the continent.
Beloff is shown in a three-quarter view, her gaze directed away from the viewer. She wears a high-collared white blouse, and her hand rests near her chest, holding a delicate chain. The brushwork is controlled, showing a focus on form and light that differs from the bold, muralist style Rivera adopted in later decades. The background features a muted, atmospheric setting that suggests a river or a winding path, providing a sense of depth without distracting from the subject.
This painting captures a specific moment in the personal and artistic life of the painter. It documents the close relationship between two artists working within the European avant-garde circles of the early twentieth century. The palette is restrained, relying on soft whites, deep shadows, and cool tones to create a contemplative mood. The composition is balanced, with the figure occupying the majority of the frame, allowing for a study of character and expression. This piece offers a glimpse into the formative years of a painter who would eventually become a central figure in the development of modern Mexican art.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Angelina Beloff - Diego Rivera
Artist Biography
Diego Rivera
He studied at the Academy of San Carlos in Mexico City and spent fourteen years in Europe (1907-1921), absorbing Cubism in Paris and working alongside Picasso, Modigliani, and Mondrian. He returned to Mexico and found his subject: the history, labour, and people of his country, painted in a style that combined Renaissance fresco technique with pre-Columbian imagery and Marxist ideology.
The Detroit Industry Murals at the Detroit Institute of Arts (1932-33) are twenty-seven panels depicting the Ford Motor Company's River Rouge plant. The workers are heroic. The machinery is beautiful. Henry Ford's son Edsel commissioned them. The business community wanted them destroyed. They survived.
He married Frida Kahlo in 1929. They divorced in 1939. They remarried in 1940. The relationship was mutually unfaithful, politically intense, and artistically productive for both of them. Rivera said Kahlo was the better painter. Whether he believed this or was performing generosity is an open question.
He accepted a commission from Nelson Rockefeller for a mural in Rockefeller Center in 1933 and included a portrait of Lenin. Rockefeller asked him to remove it. Rivera refused. The mural was destroyed. Rivera repainted it in Mexico City. He died in 1957, at seventy.
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