Portrait of Achille Granchi-Taylor - Paul Gauguin
Archival giclée
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Description
A 1885 portrait by Paul Gauguin depicting the painter Achille Granchi-Taylor, rendered with expressive brushwork and a warm, earthy palette.
Painted in 1885, this portrait depicts the artist Achille Granchi-Taylor, a contemporary and associate of Paul Gauguin during his time in Copenhagen. The work captures the sitter in a three-quarter view, his gaze directed away from the viewer with a contemplative expression. Gauguin employs a technique characterised by visible, rhythmic brushwork that builds form through colour rather than traditional line. The palette is dominated by earthy tones, with the reddish hues of the subject's beard and hair providing a warm contrast to the cooler, shadowed background.
The composition is divided between the solid, dark mass of the subject's coat and the lighter, textured area to the right, which suggests a curtain or draped fabric. This juxtaposition creates a sense of depth while maintaining the flatness that would become more pronounced in Gauguin's later work. The application of paint is dense, showing the influence of Impressionist methods while hinting at the shift towards the symbolic and synthetic styles the artist would develop in Brittany and later in the South Pacific.
Achille Granchi-Taylor was a painter of Italian-French descent who shared Gauguin's social circles. This portrait functions as a record of their professional acquaintance during a period of transition for Gauguin, who was then struggling to establish himself as a full-time artist after leaving his career as a stockbroker. The painting remains a clear example of Gauguin's technical ability to capture personality through light and texture, avoiding the rigid formality of academic portraiture. The signature and date are visible in the lower right corner, confirming its place within his early oeuvre.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Achille Granchi-Taylor - Paul Gauguin
Artist Biography
Paul Gauguin
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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