Portrait of a Seated Lady - Thomas Gainsborough
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An elegant 18th-century portrait in the style of Thomas Gainsborough, depicting a seated lady in opulent attire. A refined and timeless addition to any home.
This elegant portrait, reminiscent of the work of Thomas Gainsborough, captures the refined sensibility of the late 18th century. The sitter, a woman of evident social standing, is depicted in a relaxed pose, seated against a backdrop of draped fabric. Her gown, rendered in rich golden hues and accented with delicate lace and jewel embellishments, speaks to the opulence of the era. The artist's masterful handling of light and shadow creates a sense of depth and volume, while the soft, diffused brushstrokes lend a gentle, ethereal quality to the composition. Gainsborough was a leading portrait painter of his time, known for his ability to capture the likeness and character of his sitters with grace and sensitivity. This portrait exemplifies his skill in portraying the elegance and refinement of the British aristocracy. As a fine art print, this image brings a touch of historical sophistication to any interior. Its muted colour palette and classical composition make it a versatile addition to both traditional and contemporary spaces, adding a sense of timeless beauty and understated luxury.
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Portrait of a Seated Lady - Thomas Gainsborough
Sale price£25.20
Regular price£28.00 (/)
Crafted for a Lifetime
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Premium materials
Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
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Museum-grade prints
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
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Crafted in the UK
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
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Ready to hang
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Find the finish that fits your home
What our customers say
Real reviews from real customers
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Thomas Gainsborough
Thomas Gainsborough, a leading light of 18th-century British painting, possessed a rare gift: the ability to capture not just a likeness, but a feeling. While remembered for iconic portraits like *Mr and Mrs Andrews* and *The Blue Boy*, Gainsborough yearned for recognition as a landscape painter. He often grumbled about the demands of portrait commissions, viewing them as a necessary evil that funded his true passion. This tension between commercial success and artistic yearning infuses his work with a unique energy. Gainsborough's artistic journey began in Sudbury, Suffolk, and quickly led him to London, where he absorbed influences from both Rococo and Dutch masters. He developed a distinctive style characterised by feathery brushstrokes, a luminous palette, and an uncanny knack for conveying the sitter's personality. His portraits weren't mere representations; they were glimpses into the souls of his subjects, set against backdrops that often echoed their inner lives. Beyond the grand portraits, Gainsborough's landscapes reveal an artist deeply attuned to the natural world. He frequently constructed miniature landscapes on his studio table, using mirrors and models to study light and composition. These intimate studies translated into sweeping canvases that celebrated the beauty and serenity of the English countryside, solidifying his place as a master of both portraiture and landscape painting.
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