An eighteenth-century ethnographic engraving depicting a man from Mangaia, rendered with fine cross-hatching and traditional printmaking techniques.

This engraving depicts a man from Mangaia, an island in the Cook Islands archipelago. The work belongs to a genre of ethnographic portraiture common in European publications during the late eighteenth and early nineteenth centuries. These prints were often produced to document the physical appearance and cultural customs of indigenous peoples encountered during Pacific voyages.

The subject is shown in a bust-length portrait, facing slightly to the right. His hair is styled in a topknot, and a prominent object is inserted through his earlobe. The artist employs cross-hatching and fine line work to define the contours of the face, the texture of the hair, and the musculature of the neck and shoulders. The shading techniques reflect the standard practices of European printmakers of the era, who sought to translate observational sketches into formal, reproducible images for a wider audience.

The text at the base, 'EEN MAN VAN MANGEA', identifies the subject according to the geographical knowledge of the time. The plate number 'Pl. LXXVII**' indicates that this image was part of a larger collection or multi-volume publication, likely a travelogue or an encyclopaedic work on world cultures. The composition is formal and restrained, focusing on the individual features of the sitter while maintaining the stylistic conventions of contemporary book illustration. This print offers a view into the historical intersection of European exploration and the documentation of Pacific Island societies.