Portrait of a Girl - Berthe Morisot
Archival giclée
Ready to hang
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Made to order
Description
A delicate and intimate portrait by Berthe Morisot, capturing a young girl with soft light and loose brushstrokes characteristic of Impressionism. This fine art print brings a touch of 19th-century French elegance to any interior.
Berthe Morisot's "Portrait of a Girl", painted in 1866, exemplifies the artist's early engagement with Impressionism. Morisot, a key figure in the movement, often depicted women and domestic scenes with a delicate touch and keen observation. This portrait captures a young girl, rendered with soft, diffused light and loose brushstrokes characteristic of the Impressionist style. The girl's pale complexion and simple white dress are contrasted against a dark, undefined background, drawing the viewer's attention to her serene expression and youthful features. The visible brushwork and unfinished quality of the painting add to its intimate and immediate feel, inviting viewers to connect with the subject on a personal level. As a fine art print, this portrait brings a touch of Impressionist elegance to any interior. Its subtle colour palette and gentle composition make it a versatile addition to various decor styles, from classic to contemporary. The artwork's focus on light and atmosphere creates a calming and contemplative mood, ideal for spaces where relaxation and reflection are valued. Whether displayed in a living room, bedroom, or study, "Portrait of a Girl" offers a timeless aesthetic appeal and a glimpse into the world of 19th-century French art.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Portrait of a Girl - Berthe Morisot
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Berthe Morisot
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
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