Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A fine example of a late sixteenth-century portrait miniature by Isaac Oliver, featuring a gentleman against a deep blue ground in its original gold frame.
This miniature portrait by Isaac Oliver represents the refined tradition of Elizabethan and Jacobean portraiture. Oliver, a pupil of Nicholas Hilliard, brought a distinct approach to the medium, often employing a more naturalistic treatment of light and shadow compared to his predecessor. The subject is depicted against a characteristic deep blue background, a common convention in English miniature painting of the period to provide contrast and focus on the sitter.
The gentleman wears a dark doublet with a simple white collar, reflecting the sober fashion of the late sixteenth century. His hand is placed against his chest, a gesture frequently used in portraiture to signify sincerity or devotion. The precision required to execute such a small work is evident in the rendering of the facial features, particularly the moustache and beard, which are painted with fine, controlled strokes. The original gold locket frame, with its decorative border, remains an integral part of the object, serving to protect the delicate vellum surface while adding a tactile quality to the presentation.
Isaac Oliver was highly regarded for his ability to capture the likeness and character of his sitters within a very limited space. His work was sought after by the English court and aristocracy, who valued these portable images as tokens of affection or status. This piece demonstrates the technical skill involved in miniature painting, where the artist worked with tiny brushes, often using a magnifying glass to achieve the level of detail seen in the eyes and skin tones. The preservation of the original frame allows for an appreciation of how these objects were intended to be viewed, held in the hand or worn as jewellery, rather than displayed on a wall. It remains a clear example of the technical mastery achieved by English miniaturists during the transition from the Tudor to the Stuart era.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Our Features
Designed for Lasting Impact
Every Solis piece is made to order with archival, gallery-quality materials built to last.
To keep your artwork looking its best:
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Isaac Oliver
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