Plate 95 Yellow-poll Warbler - John James Audubon
Archival giclée
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Description
A detailed ornithological study of the Yellow-poll Warbler by John James Audubon, originally published in the early nineteenth century.
This print is Plate 95 from the double-elephant folio edition of The Birds of America, published between 1827 and 1838. John James Audubon, an American naturalist and painter, sought to document every bird species in North America in their natural habitat. This specific work depicts the Yellow-poll Warbler, now commonly known as the Yellow Warbler (Setophaga petechia), perched upon a branch of a flowering plant.
Audubon utilised a combination of etching and aquatint, which was subsequently finished with hand-applied watercolour. This technique allowed for the precise rendering of avian plumage and botanical structures. The composition follows Audubon's characteristic approach of placing the subject within a specific environmental context, rather than presenting it in isolation against a plain background. The bird is shown in profile, allowing for a clear observation of its physical features, while the surrounding foliage provides a sense of scale and habitat.
Unlike many contemporary scientific illustrations that relied on preserved specimens, Audubon often worked from fresh subjects to capture the posture and character of the living bird. The print reflects the scientific rigour of the early nineteenth century, where the observation of nature was closely linked to artistic documentation. The paper shows the characteristic cream tone associated with the original Whatman paper used for the first edition of this monumental work. This print offers a view into the intersection of scientific inquiry and artistic practice during the Romantic era, capturing the specific details of the warbler alongside the botanical elements that define its environment.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Plate 95 Yellow-poll Warbler - John James Audubon
Artist Biography
John James Audubon
He was born illegitimate in 1785 in Les Cayes, Saint-Domingue (now Haiti), the son of a French merchant and a Creole woman. He was sent to America at eighteen to avoid Napoleonic conscription. He was also a serial fabricator: he claimed his father was an admiral (he was a captain), said his family had been imprisoned in the Bastille (they had not), and invented frontier stories about fighting wolves and sleeping in igloos. He ran a dry-goods store in Kentucky and was jailed for bankruptcy in 1819.
The paintings themselves are extraordinary: precise, dynamic, and composed with a narrative quality that goes beyond scientific illustration. His legacy is contested. The National Audubon Society and several regional chapters dropped his name in 2023 because of his documented history as an enslaver. He died in 1851.
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