An etching by Jan de Bisschop depicting the rear view of the Farnese Hercules, created for his series on classical sculpture.

This etching is a plate from the collection 'Signorum Veterum Icones', published by the Dutch artist and lawyer Jan de Bisschop. The work documents the Farnese Hercules, a monumental Roman marble sculpture that was highly regarded by artists during the seventeenth century. De Bisschop, who was also known by his Latinised name Episcopius, produced these prints to provide European artists with accurate visual records of classical statuary.

The print captures the figure from the rear, focusing on the muscular anatomy of the back and legs. The artist employs precise hatching and cross-hatching techniques to define the contours of the musculature, creating a sense of volume and weight. The drapery hanging beside the figure provides a textural contrast to the smooth, powerful form of the hero. The composition is stark and academic, intended for study rather than decorative display.

Jan de Bisschop played a role in the dissemination of classical forms throughout the Netherlands. By translating three-dimensional marble into two-dimensional etched lines, he allowed students and practitioners to analyse the proportions and poses of ancient art without needing to travel to Rome. The inclusion of the artist's signature and the plate number indicates its origin as part of a larger pedagogical series. The print reflects the period's interest in the canon of classical beauty and the rigorous training of the human figure. The technical execution demonstrates the control required for etching, with the lines varying in density to suggest shadow and light across the rounded surfaces of the sculpture. This print remains a record of how classical antiquity was interpreted and studied by artists in the Dutch Golden Age.