Perseus Rescuing Andromeda - Piero di Cosimo
Archival giclée
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Description
Piero di Cosimo's "Perseus Rescuing Andromeda", painted circa 1510-1513, captures the classical myth with a blend of humanist themes and imaginative detail, characteristic of the Early Renaissance.
Piero di Cosimo's "Perseus Rescuing Andromeda" presents a dynamic interpretation of the classical myth. Painted circa 1510-1513, the oil on panel work shows Perseus swooping down to save Andromeda from a sea monster, set against a detailed coastal backdrop. Di Cosimo, an Italian painter active during the Early Renaissance, was known for his idiosyncratic style and interest in classical themes. He blended humanist subjects with a distinctive personal vision. The painting is divided into distinct zones. On the left, Andromeda is chained to rocks, awaiting her fate. The central focus is the fantastic sea monster, ridden by a figure, while Perseus descends from the sky, cape billowing. To the right, a crowd of onlookers reacts to the unfolding drama, some playing musical instruments. The background features a detailed vista of towns and hills, rendered in atmospheric perspective. The artist's attention to detail and imaginative interpretation of the myth make this a compelling work of the period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Perseus Rescuing Andromeda - Piero di Cosimo
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Piero di Cosimo
He was born in Florence around 1462, took the name di Cosimo from his master Cosimo Rosselli, and by 1480 was working as an unpaid apprentice in Rosselli's workshop. He operated outside the official artistic circles of Florentine Renaissance painting, borrowing freely from Leonardo, Signorelli and Netherlandish artists without belonging to any school.
His mythological paintings, many based on Vitruvius's account of human evolution, are filled with hybrid creatures, fantastic landscapes and strange revels. He also painted portraits, including the posthumous bust of Simonetta Vespucci (c. 1480), and excelled at designing pageants and triumphal processions for Florentine festivals. He could discern equestrian battles and urban scenes in the stains on a wall, a habit Leonardo also described. He died in Florence in 1521.
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