Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Paysage à Saint-Tropez - Maximilien Luce
Regular price
£28.00 GBP
Sale price
£28.00 GBP
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A 1893 Neo-Impressionist view of the Mediterranean coast by Maximilien Luce, featuring his characteristic divisionist brushwork and light-filled palette.
Maximilien Luce, a prominent figure in the Neo-Impressionist movement, painted this view of Saint-Tropez in 1893. The work demonstrates his engagement with the divisionist technique, where small, distinct touches of colour are applied to the canvas to create a sense of luminosity and atmospheric depth. Unlike the more rigid, mathematical approach of Georges Seurat, Luce utilised a more spontaneous and tactile application of paint, which is evident in the textured surface of this composition.
The scene captures the Mediterranean coast with a focus on the interplay between the warm, sun-drenched foreground and the cooler tones of the sea and distant hills. Two prominent pine trees frame the right side of the view, their trunks rendered with varied strokes of purple, brown, and ochre. The ground is composed of fragmented patches of light and shadow, suggesting the dry, scrubby vegetation typical of the region. In the distance, the blue expanse of the water meets the hazy outline of the mountains, creating a sense of distance through colour temperature rather than traditional linear perspective.
Luce was known for his social conscience and his interest in industrial subjects, yet his travels to the south of France allowed him to explore the effects of natural light on the environment. This piece reflects his ability to balance the scientific rigour of pointillism with a personal, expressive response to the Mediterranean climate. The brushwork remains visible throughout, providing a rhythmic quality to the sky and the foliage. By avoiding smooth blending, Luce maintains the integrity of each individual colour mark, allowing the viewer's eye to synthesise the image from a distance. This approach creates a shimmering effect, characteristic of the intense light found in the south of France during the late nineteenth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Paysage à Saint-Tropez - Maximilien Luce
Regular price
From £28.00 GBP
Sale price
From £28.00 GBP
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Maximilien Luce
Maximilien Luce was not only a painter but also a committed anarchist, and his political beliefs often influenced his artistic choices. He depicted working-class life and social unrest, offering a perspective rarely seen within the Pointillist movement. While many of his contemporaries focused on landscapes or bourgeois leisure, Luce turned his attention to factories, construction sites, and scenes of labour, imbuing his works with social commentary.
Luce embraced Pointillism, or Neo-Impressionism, following the lead of Georges Seurat and Paul Signac. This technique involved applying small, distinct dots of colour to the canvas, which then blend in the viewer's eye to create a unified image. Unlike Seurat, who sought a scientific precision, Luce used Pointillism to capture the energy and dynamism of modern life, particularly the industrial world. His paintings demonstrate a fascination with light and colour and an interest in capturing the atmosphere of his subjects.
Today, Luce's art appeals to collectors interested in works that combine aesthetic beauty with social consciousness. His scenes of working-class life offer a window into a specific historical moment, while his Pointillist technique provides visual appeal. His paintings stand out from typical Impressionist subjects, making them attractive to those seeking something different.
Luce embraced Pointillism, or Neo-Impressionism, following the lead of Georges Seurat and Paul Signac. This technique involved applying small, distinct dots of colour to the canvas, which then blend in the viewer's eye to create a unified image. Unlike Seurat, who sought a scientific precision, Luce used Pointillism to capture the energy and dynamism of modern life, particularly the industrial world. His paintings demonstrate a fascination with light and colour and an interest in capturing the atmosphere of his subjects.
Today, Luce's art appeals to collectors interested in works that combine aesthetic beauty with social consciousness. His scenes of working-class life offer a window into a specific historical moment, while his Pointillist technique provides visual appeal. His paintings stand out from typical Impressionist subjects, making them attractive to those seeking something different.
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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