Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed Early Netherlandish triptych depicting the Passion of Christ, rendered with the precision and stylistic hallmarks of Jan Jansz Mostaert.
This triptych by Jan Jansz Mostaert, a painter active in Haarlem during the early sixteenth century, depicts the final stages of the Passion of Christ. The central panel presents the Lamentation, where the body of Christ is supported by figures including the Virgin Mary and Joseph of Arimathea. The composition is contained within a rounded arch, a common feature in Northern European devotional art of this period. The side panels show the Crowning with Thorns on the left and the Ecce Homo on the right, providing a chronological progression of the narrative.
Mostaert employs a meticulous approach to detail, characteristic of the Early Netherlandish tradition. The figures are rendered with precise attention to their contemporary sixteenth-century attire, blending biblical history with the visual language of the artist's own time. The palette is balanced, utilising muted earth tones alongside saturated reds and greens to guide the viewer's eye across the complex arrangement of figures. The spatial construction is relatively shallow, focusing the viewer on the emotional weight of the central scene rather than atmospheric depth.
As a court painter to Margaret of Austria, Mostaert was well-versed in the demands of aristocratic patronage. This work reflects the refined technical skill expected of such commissions. The figures exhibit a degree of stylisation in their facial features and gestures, typical of the transition between the late Gothic style and the emerging influence of the Renaissance in the Low Countries. The work remains a clear example of the devotional triptych format, designed for private contemplation and the systematic meditation on the suffering of Christ. The preservation of the original framing elements further assists in understanding how such objects functioned within a domestic or ecclesiastical setting.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Museum-Quality Materials
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