Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A striking Surrealist interpretation of the Greek myth of Pasiphae, rendered in bold lines and earth tones by André Masson.
André Masson, a central figure in the Surrealist movement, produced this interpretation of the Greek myth of Pasiphae during his period of exile in the United States. The work depicts the Cretan queen in a physical union with the bull, a subject that allowed Masson to explore themes of eroticism, violence, and the subconscious mind. His approach to the myth is not one of classical restraint, but rather a raw, visceral examination of human desire and animal instinct. The composition is dominated by the heavy, earth-toned form of the bull, which occupies the centre of the frame. Masson uses bold, black outlines to define the figures, creating a stark contrast against the pale, almost luminous skin of Pasiphae. The background is minimal, featuring a simplified architectural element that suggests a structure, perhaps a reference to the labyrinth of Knossos. The dark, moody sky provides a sense of enclosure, forcing the viewer to focus on the central interaction. Masson was deeply interested in automatic drawing and the expression of internal states. In this piece, the distortion of the figures reflects his rejection of traditional perspective and anatomical accuracy. The geometric patterns on the bull's flank add a decorative, almost archaic quality to the scene, grounding the mythological subject in a primitive aesthetic. The brushwork is deliberate, with visible texture that adds to the overall intensity of the image. This work remains a clear example of Masson's ability to translate complex psychological narratives into visual form, using the language of myth to address universal human experiences. The stark palette and aggressive lines create a sense of urgency, capturing a moment of mythic transformation.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
In late 1923, André Masson began making pen-and-ink drawings without a subject in mind, surrendering to what he described as "interior tumult" and moving with speed across the page. His method required three conditions: emptying the mind, entering a state bordering on trance, then writing quickly. "The slightest reflection broke the spell." The resulting automatic drawings appeared in every early issue of "La Révolution surréaliste", making him the first professional artist in the Paris group to attempt sustained automatism. He had been severely wounded in the First World War in 1917, physically and psychologically. His early paintings showed Cubist influence, but by 1925 he was alongside Breton and Aragon at the centre of Surrealism's public emergence. His connection to Antonin Artaud was close: ink drawings from around 1925 (each sheet 27.7 × 21.7 cm) were mounted on pages of Artaud's "Le Pese-Nerfs" (Paris, 1925). Scholars noted a distinction between his automatic drawings and his oil paintings. The drawings, executed at speed, were considered authentically automatic; the oils looked like translations of them and retained the marks of conscious effort. His position within Surrealism was never entirely settled. He lived in Spain from 1934 to 1936, then moved to the United States in 1941, remaining there until 1945. His presence in New York during the war years gave the emerging Abstract Expressionist painters direct access to Surrealist automatist thinking. He returned to France in 1945 and worked in an increasingly expressionist manner until his death in 1987, aged 91.
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