A refined wood engraving by Auguste Louis Lepère, created for the 1897 Paris Almanac, featuring a dynamic figure and architectural motifs.

Auguste Louis Lepère was a master of the wood engraving technique, a medium he helped revive during the late nineteenth century. This specific work, created for the 1897 Paris Almanac, demonstrates his technical precision and his engagement with the aesthetic sensibilities of the Art Nouveau period. The composition features a central female figure, rendered with fluid, expressive lines, who holds a banner aloft. Below her, the stylised head of a sphinx provides a solid base, while the inclusion of a windmill and a distant cityscape suggests the geographical context of the French capital.

The use of a limited colour palette, primarily black ink against a soft, muted background, allows the graphic qualities of the print to take precedence. Lepère was known for his ability to balance decorative elements with clear, readable forms, a skill that made his work highly sought after for editorial and commercial projects. His approach to line work is both controlled and rhythmic, reflecting his deep understanding of the woodblock medium. The integration of text into the visual design is characteristic of the period, where the boundaries between illustration and typography were often blurred to create a unified page layout.

This print captures the spirit of fin-de-siècle Paris, a time when the city was a centre for artistic experimentation and the development of new graphic styles. Lepère’s work remains a clear example of the technical standards of the era, showing how traditional printmaking methods were adapted to meet the needs of modern publishing. The composition is balanced, with the weight of the sphinx and the cityscape anchoring the more dynamic, upward movement of the figure and the banners. It is a piece that reflects the intersection of fine art and commercial illustration at the turn of the century.