Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A calotype photograph by Dutch pioneer Eduard Isaac Asser, capturing a page from a medieval manuscript with historiated initials and architectural detail.
This work by Eduard Isaac Asser captures a page from a medieval manuscript, rendered through the early photographic process of the calotype. Asser, a Dutch pioneer in photography and a lawyer by profession, was among the first to experiment with paper-based negative processes in the Netherlands. His interest in documenting historical documents and art objects reflects the mid-nineteenth-century fascination with preserving cultural heritage through new chemical means.
The print displays the characteristic soft focus and warm, sepia-toned paper texture associated with the calotype method. The composition features two historiated initials, which contain small figurative scenes, alongside a central architectural illustration depicting a Gothic structure. The Latin text is arranged in two columns, maintaining the layout of the original manuscript. The surrounding margins show signs of age, including foxing and discolouration, which provide a sense of the physical reality of the source material.
Unlike later, sharper photographic techniques, this print retains a painterly quality. The light-sensitive paper absorbs the ink and chemical emulsion in a way that softens the edges of the calligraphy and the architectural lines. This piece serves as an example of how early photography was utilised to reproduce rare books and manuscripts for study and collection. It demonstrates the intersection of antiquarian interest and technological innovation during the Victorian era. The work is not merely a reproduction but a physical object that carries the aesthetic markers of its own creation period, bridging the gap between the medieval scribe and the modern photographer.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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