Orpheus and Eurydice - Nicolas Poussin
Archival giclée
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Description
A classical Baroque masterpiece by Nicolas Poussin, depicting the myth of Orpheus and Eurydice within a structured, serene Roman-inspired setting.
Nicolas Poussin painted Orpheus and Eurydice around 1650-1653. The work depicts a scene from Ovid's Metamorphoses, where Orpheus plays his lyre near a river while Eurydice gathers flowers. In the background, the serpent that causes her death remains hidden, yet the presence of the smoke rising from the distant Castel Sant'Angelo, anachronistically placed in the Roman setting, introduces a sense of foreboding.
Poussin constructs the composition with a rigorous sense of order. The figures are grouped in the foreground, acting as a bridge between the viewer and the expansive, structured environment. The trees frame the scene on either side, creating a natural proscenium that directs the eye toward the middle ground. The light is clear and even, typical of Poussin's approach to classical subjects, where the emotional weight is carried by the arrangement of forms rather than dramatic chiaroscuro.
The painting reflects the artist's interest in the relationship between human action and the natural world. The calm, almost detached atmosphere contrasts with the tragic narrative of the myth. Poussin uses a palette of muted earth tones, greens, and ochres, punctuated by the red drapery of the figures. This work is held in the collection of the Musée du Louvre in Paris. It remains a primary example of the artist's ability to synthesise classical mythology with a calculated, architectural approach to composition.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Orpheus and Eurydice - Nicolas Poussin
Artist Biography
Nicolas Poussin
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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