A striking etching by Édouard Manet, this print captures the composition of his famous 1863 painting, Olympia, through bold lines and stark contrast.

This etching by Édouard Manet serves as a graphic interpretation of his controversial 1863 oil painting of the same name. Manet produced this print for the publication 'L'Autographe au Salon' in 1867, translating the stark contrasts of his original composition into the monochromatic language of line and shadow. The work depicts a reclining female figure, modelled by Victorine Meurent, who gazes directly at the viewer with an unyielding expression. Beside her, a servant presents a bouquet of flowers, while a black cat arches its back at the foot of the bed. Manet utilised the etching process to capture the flattened perspective and bold silhouettes that defined his approach to modern subjects. By removing the colour of the original canvas, the print draws attention to the economy of his mark-making. The lines are decisive, creating a sense of volume through hatching rather than subtle tonal gradation. This print reflects the artist's interest in the graphic arts as a means to disseminate his ideas beyond the confines of the Salon. It remains a clear example of his departure from traditional academic modelling, favouring a direct, almost confrontational style that prioritised the physical presence of the subject over idealised beauty. The composition references classical reclining nudes, yet subverts these historical precedents through the contemporary setting and the direct engagement of the sitter with the observer. This print offers a focused look at Manet's technical skill in printmaking and his ability to maintain the tension of his original work within a smaller, monochrome format.