A satirical engraving by William Hogarth depicting the social tensions and daily life in eighteenth-century London, part of his Four Times of the Day series.

Noon is the second plate in William Hogarth's series, The Four Times of the Day, first published in 1738. The scene is set in St Giles-in-the-Fields, London, a district known at the time for its large population of French Huguenot refugees. Hogarth uses the composition to contrast the behaviour of the local population with the rigid, formal manners of the French congregation exiting the church on the right.

In the foreground, a young boy drops a pie, his distress providing a moment of slapstick humour amidst the wider social commentary. To the left, the scene outside the 'Good Eating' house shows a chaotic, crowded environment. A woman, possibly a cook, leans from an upper window to pass a dish across the street, while a man and woman embrace in the street below. The architecture of the church, with its distinct spire, anchors the composition and provides a sense of place within the eighteenth-century city.

Hogarth employs a dense, narrative style, filling the frame with figures that represent various social strata and cultural tensions. The print functions as a visual record of urban life, capturing the friction between the established English working class and the immigrant community. The technical execution, involving precise etching and engraving, allows for the inclusion of minute details, from the signage on the buildings to the varied textures of the clothing worn by the passers-by. This work demonstrates Hogarth's ability to observe and document the complexities of London society, using humour and irony to critique the social norms of his era. The print remains a primary source for understanding the visual culture and social attitudes of mid-eighteenth-century Britain.