Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










A bold and vibrant exhibition poster by Sven Lukin for his 'New Paintings at Pace' show in 1964. This abstract expressionist design features striking orange shapes against a blue backdrop, perfect for adding a touch of mid-century modern flair to any space.
This vibrant poster by Sven Lukin announces his exhibition 'New Paintings at Pace' in 1964. Lukin, an American artist born in 1934, is known for his abstract expressionist works, often characterised by bold colours and dynamic shapes. This poster exemplifies his style, featuring a striking composition of interlocking orange forms against a blue background. The design is both eye-catching and minimalist, reflecting the Pop Art sensibilities of the era. The poster's clean lines and bold colour palette make it a perfect statement piece for a modern home. Its abstract nature allows for versatile placement, complementing a range of interior styles. Whether displayed in a living room, study, or hallway, this print adds a touch of mid-century modern flair and artistic sophistication. The poster serves not only as a decorative element but also as a conversation starter, inviting viewers to engage with the artist's unique vision and the historical context of the exhibition.
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Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Sven Lukin, born in Riga, Latvia, in 1934, is an American artist celebrated for his dynamic contributions to abstract expressionism and his innovative approach to shaped canvas painting. Emigrating to the United States as a teenager, Lukin studied at the Tyler School of Art, Temple University, where he absorbed the prevailing currents of the New York School. However, Lukin sought to push beyond the conventional rectangular canvas, exploring how the physical shape of the support could become an integral part of the artwork's expressive power. Lukin's shaped canvases, often constructed from wood and painted in bold, contrasting colours, burst forth from the wall, challenging the traditional boundaries between painting and sculpture. His works from the 1960s and 70s, such as "Corona" and "Number 1," exemplify this fusion, presenting viewers with visually arresting forms that seem to vibrate with energy. This daring exploration of form and space aligns him with contemporaries like Frank Stella, though Lukin's distinct sensibility sets him apart. While Lukin's name may not be as widely recognised as some of his peers, his impact on the development of abstract art is undeniable. His works reside in the permanent collections of major museums, including the Whitney Museum of American Art and the Museum of Modern Art. Sven Lukin's shaped canvas paintings offer a powerful statement, ideal for collectors seeking art that defies convention and commands attention.
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