A dramatic Flemish Baroque scene depicting Neptune striking the earth to create the horse, rendered with muscular figures and deep, atmospheric lighting.

Jacob Jordaens, a contemporary of Peter Paul Rubens, produced this work during the height of the Flemish Baroque period. The composition depicts the classical myth of Neptune, the god of the sea, striking the earth with his trident to bring forth the horse. Jordaens employs a dramatic, theatrical arrangement of figures, characteristic of his approach to mythological subjects. The central figure of Neptune is seen from behind, his muscular form rendered with strong chiaroscuro, as he gestures towards the emerging stallion.

To the left, a female figure, often interpreted as Amphitrite or a personification of the sea, sits amidst red drapery, accompanied by a putto. The scene is populated by various marine deities and attendants, creating a sense of crowded, energetic movement. The background features a complex, ornate structure, possibly an armillary sphere or a decorative element of a triumphal chariot, which adds to the grand scale of the narrative. The palette is dominated by deep blues, earthy flesh tones, and a striking crimson fabric that draws the eye towards the centre of the composition.

Jordaens was known for his ability to combine monumental scale with a certain earthiness in his characterisations. Unlike the more refined classicism of some of his contemporaries, his work often possesses a robust, physical quality. The lighting in this piece is directional, casting deep shadows that define the musculature of the figures and the volume of the forms. This print captures the dynamic energy of the original painting, reflecting the artist's interest in movement and the dramatic potential of classical themes. The work remains a representative example of the Antwerp school during the seventeenth century, demonstrating the technical proficiency and narrative ambition common to the period.