A detailed military painting by Ernest Meissonier depicting Napoléon III and his staff at the Battle of Solferino in 1859. This 1863 work is noted for its historical accuracy.

Ernest Meissonier received a commission to document the Italian campaign of 1859. He travelled with the French army and was present at the Battle of Solferino on 24 June. This painting, completed in 1863, represents a departure from the idealised battle scenes of earlier eras. It focuses on the observation of the conflict rather than the heat of combat. The artist chose to depict the Emperor at the heights of Monte Fenile, a position that allowed a view of the surrounding engagement. The composition features Napoléon III at the centre of the frame. He sits on a bay horse and looks toward the distant hills where smoke rises from the fighting. A group of staff officers and members of the Cent-Gardes are gathered to the left. Their uniforms and the anatomy of their horses are rendered with the precision for which Meissonier was famous. The foreground consists of dry, rocky earth and low scrub. To the right, a battery of artillery moves along a path, adding a sense of movement to the scene. Meissonier used a muted colour palette dominated by greys and browns. These are paired with dark blue tones from the military tunics. A vast, clouded sky fills the upper half of the work. This creates a sense of the wide expanse of the Lombardy plains. The artist avoided theatrical gestures common in history painting. Instead, he opted for a restrained, almost documentary approach to the subject. Despite the small physical dimensions of the original panel, the level of detail is high. Meissonier studied the horses and uniforms from life to ensure accuracy. This work is currently held in the collection of the Musée d'Orsay in Paris.