A satirical etching by Thomas Rowlandson depicting a 1787 fencing match between the Chevalier d'Eon and Sergeant Léger at Angelo's Academy.

Thomas Rowlandson, a prolific British caricaturist, produced this etching in 1787. It captures a specific social event at the London fencing school run by Henry Angelo. The scene depicts a public demonstration between the Chevalier d'Eon, a French diplomat and spy known for living as a woman, and the fencing master Sergeant Léger. Rowlandson employs his characteristic fluid line work to document the physical postures of the fencers and the varied reactions of the surrounding spectators. The composition is arranged to allow the viewer to observe the tension of the duel while simultaneously noting the diverse social types present in the room. The figures are rendered with a sense of movement, typical of Rowlandson's approach to social commentary. The background includes fencing equipment and framed portraits, which provide context for the setting. This work is a notable example of late eighteenth-century satirical print culture. It documents the public fascination with the Chevalier d'Eon, whose gender identity was a subject of intense speculation and betting in London society at the time. The use of watercolour over the etched lines adds a layer of visual detail to the clothing and the interior space. Rowlandson avoids overly rigid formality, preferring to capture the energy of the crowd and the specific dynamics of the fencing match. The print serves as a record of the intersection between sport, celebrity, and social performance in Georgian London.