A 1857 woodblock print by Utagawa Hiroshige depicting a snow-covered mountain pass along the Kiso Road. It features a dramatic waterfall and a narrow bridge over a blue river.

Utagawa Hiroshige produced this woodblock print in 1857 as part of a triptych titled Snow, Moon, and Flowers. This specific panel depicts the Kiso Road, an inland mountain route connecting Edo and Kyoto. The composition focuses on a dramatic gorge during a heavy snowfall. Hiroshige used the white of the unprinted paper to represent the deep snow covering the jagged cliffs and pine trees. The scene features a narrow bridge spanning a rushing river. A waterfall descends from the upper right, its deep blue colour contrasting with the pale surroundings. The dark grey sky is filled with white dots representing falling snow. This effect was achieved by leaving small areas of the woodblock uncarved or by applying lead white pigment. Small figures cross the bridge, providing a sense of scale against the massive geological formations. This work belongs to the final years of Hiroshige's career. It demonstrates his mastery of atmospheric effects and his ability to convey the stillness of a winter day. The use of bokashi, or colour gradation, in the sky and water adds depth to the flat medium of the woodblock print. The red cartouche in the top right corner contains the title of the series and the specific scene. The Kiso Road was known for its difficult terrain and steep passes. Hiroshige captures the isolation of the region through the sparse use of colour and the dominance of the white snow. The blue pigment used in the river and waterfall is likely Prussian blue, which became popular in ukiyo-e prints during the nineteenth century. This print is a significant example of the ōban tate-e, or vertical large-format print, which Hiroshige favoured for his later landscape series.