A satirical mezzotint by Jacob Gole depicting a monk with a cross, accompanied by a French verse critiquing religious hypocrisy.

This mezzotint by Jacob Gole, titled Monnik met een kruis, captures a character study typical of the late seventeenth and early eighteenth-century Dutch printmaking tradition. Gole, a skilled engraver and publisher based in Amsterdam, utilised the mezzotint technique to achieve soft tonal transitions and deep shadows. This method allowed for a velvety texture that defines the monk's cowl and the dark, circular background.

The subject is depicted in a bust-length portrait, his head tilted upwards with an expression that blends piety and irony. The inclusion of a wooden cross strapped to his chest provides a clear iconographic marker of his monastic status. Below the circular frame, the print features a French inscription, Le Beat, accompanied by a satirical verse. This text suggests a critique of hypocrisy, implying that the figure's outward display of devotion masks a less virtuous internal state. The verse plays on the irony of a man seeking canonisation through the false perception of his holiness by others.

Gole's work often engaged with popular themes of the era, including moralising allegories and character types. The technical execution demonstrates his command over the mezzotint process, particularly in the rendering of the skin textures and the subtle play of light across the monk's features. The circular composition focuses the viewer's attention entirely on the facial expression and the accompanying text, which serves as a narrative anchor for the image. As a piece of historical printmaking, it offers insight into the satirical and moralising visual culture of the period, where religious figures were frequently used as vehicles for social commentary. The print remains a fine example of the technical precision and thematic wit characteristic of Gole's output during his active years in the Netherlands.