Modern Folio with Typed Text and Inscriptions - Jean-Honoré Fragonard
Archival giclée
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Description
A 1931 archival document detailing the inventory and deconstruction of a sketchbook containing various drawings by Jean-Honoré Fragonard.
This document provides a detailed inventory of a sketchbook once belonging to the French Rococo painter Jean-Honoré Fragonard. The text, dated 1931, serves as a record of the physical deconstruction of a folio that contained various preparatory drawings. The author describes the process of removing sketches that had been pasted over other pages, a practice that allowed for the discovery of hidden studies beneath the primary compositions. The inventory lists twenty-three distinct items, ranging from red crayon anatomical studies to pencil sketches of figures and garden scenes, including a specific reference to the Villa d'Este. The document offers a glimpse into the provenance and conservation history of Fragonard's working materials. It captures the methodical approach taken by early twentieth-century scholars to catalogue and preserve the artist's output. By itemising the contents, the text clarifies the relationship between the various sketches, noting which were original compositions and which were secondary studies found on the same leaves. For those interested in the history of art scholarship, this document is a primary source. It records the transition of a private sketchbook into a collection of individualised works. The typed format and handwritten annotations provide a tactile connection to the research process, documenting the physical handling of the artist's materials. This print is suitable for collectors who appreciate the archival side of art history, offering a look at the documentation that supports the study of Fragonard's creative process.
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Modern Folio with Typed Text and Inscriptions - Jean-Honoré Fragonard
Artist Biography
Jean Honore Fragonard
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
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Artist Biography
Jean-Honoré Fragonard
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
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