Miss America - Walter Crane
Archival giclée
Ready to hang
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Made to order
Description
This illustration by Walter Crane depicts a woman in indigenous-inspired attire, standing against a backdrop of blue water and foliage. The image is framed by an ornamental border.
Walter Crane (1845-1915) was an English artist and book illustrator. He is considered one of the most influential children's book creators of his generation, alongside Randolph Caldecott and Kate Greenaway. Crane was a proponent of the Arts and Crafts movement, advocating for beautiful design accessible to all social classes. His work often featured stylised figures, flat compositions, and decorative borders. He drew inspiration from a variety of sources, including classical mythology, medieval art, and Japanese prints. 'Miss America' depicts a woman in indigenous-inspired attire, standing against a backdrop of blue water and foliage. The figure is adorned with a feathered headdress and a leopard-print garment. She holds a bow and arrow, and is surrounded by seashells. The image is framed by an ornamental border. The text below the figure reads: 'Fancy Free, Columbia Wild / Of Nature and of Time the Child, / By Oceans Undiscovered Blue / Curtained Close, / Where No Man Knew, / Ages Long / Unconscious Played, / A Brown and / Fearless Indian Maid.' The text above the figure reads: 'Miss America / As La Belle Sauvage Fancy-Free'.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Miss America - Walter Crane
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Walter Crane
He began as a children's book illustrator, apprenticed to the wood engraver W.J. Linton. His Toy Books for the publisher Routledge, produced from 1865 onward, used flat areas of colour, strong outlines and decorative borders influenced by Japanese woodblock prints and the Pre-Raphaelites. They were among the first mass-produced children's books to treat illustration as a design problem rather than an afterthought.
During a lecture tour of the United States he spoke in favour of clemency for the anarchists sentenced to death after the Haymarket Affair. His wealthy American patrons cancelled engagements. Crane did not retract.
He became Vice President of the Healthy and Artistic Dress Union, a movement promoting loose-fitting clothing in opposition to tight Victorian corsetry. He wrote The Claims of Decorative Art, arguing that decorative art was not a lesser form. He was Art Director of the Art Workers' Guild and the first president of the Arts and Crafts Exhibition Society.
He wanted to be taken seriously as a painter of allegorical canvases, but the galleries would not exhibit them. The children's books and the socialist cartoons are what lasted. Morris would have appreciated the irony.
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