A seventeenth-century Dutch illustration from the personal album of Gesina ter Borch, featuring calligraphic poetry alongside a watercolour of a dejected figure.

This work originates from the personal album of Gesina ter Borch, a Dutch artist active during the seventeenth century. The page combines calligraphic poetry with a small, hand-painted scene. The text, written in a precise, flowing hand, recounts the sorrow of a figure named Coridon, who laments his unrequited affection. The poem is structured in five stanzas, each detailing the emotional state of the protagonist as he wanders through the day and night.

In the lower right corner, a small watercolour illustration depicts the subject of the poem. A man sits beneath a tree, his posture slumped in a gesture of dejection. He wears the attire typical of the period, including a wide-brimmed hat and breeches. The artist uses a restrained palette of greens, browns, and muted tones to render the figure and the grassy mound upon which he rests. The tree provides a sense of scale and isolation, reinforcing the theme of solitary contemplation.

Gesina ter Borch was a member of a prominent artistic family in Zwolle. Her albums, often referred to as 'poëziealbums', functioned as private collections of verses, songs, and drawings. These books offer a glimpse into the social and cultural life of the Dutch elite during the mid-seventeenth century. The integration of text and image here demonstrates the artist's ability to synthesise literary themes with visual storytelling. The delicate line work and the careful application of colour reflect the amateur yet highly skilled nature of her practice. This print captures the quiet, introspective quality of the original manuscript, preserving the relationship between the written word and the illustrative accompaniment. It serves as a record of the personal artistic pursuits that occupied the domestic spaces of the Dutch Golden Age.