A delicate 1879 etching by Dutch artist Philip Zilcken, depicting a young woman in profile wearing a feathered hat.

This etching by the Dutch artist Philip Zilcken, dated 1879, captures a profile view of a young woman wearing a hat adorned with a feather. The work, titled 'Meisje met hoed op', demonstrates Zilcken's early proficiency with the needle and copper plate. The composition is spare, focusing entirely on the sitter's features and the texture of her headwear. The lines are delicate, showing the influence of the Hague School and the broader European interest in etching as a medium for intimate, spontaneous observation.

The inscription in the upper left corner, 'CATH. B ROTTERD. 21 Mai 79', provides a precise temporal and geographical anchor for the piece. The name 'Adolphine' appears at the bottom, identifying the subject. Zilcken, who was also a writer and critic, often produced works that reflected his personal circle and the social atmosphere of late nineteenth-century Rotterdam. The etching is characterised by a light, airy touch, with minimal shading that allows the white of the paper to define the form. This approach creates a sense of immediacy, as if the artist captured the subject in a fleeting moment of quiet contemplation.

As a printmaker, Zilcken was known for his technical precision and his ability to convey character through economical mark-making. This portrait avoids unnecessary detail, relying instead on the silhouette and the tilt of the head to convey personality. The work is a fine example of the period's preference for naturalistic portraiture, where the artist's hand remains visible in the etched lines. It offers a glimpse into the private artistic practice of a man who would later become a significant figure in the promotion of Dutch art.